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I should really remember to write. But I write so much, I should really remember to make.

Life is a never-ending to-do list

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Posts tagged autoethnographic illustration
Launch of Working Titles: Journal for Practice Based Research, no. 2, Compromised Visions: "Lately, she's been seeing things differently".

On the 14th November I was invited to the launch of the 2nd issue of Working Titles: Journal for Practice Based Research published by the Bauhaus Universität, Weimar. It has been a long but fantastic experience working with Xenia and Gabriel of the Working Titles editorial board and my two fantastic peer reviewers, Luise Vormittag and Hayfaa Al-Chalabi of UA; notably, the advice on the naming of the title that came from Luise. I appreciate the generosity of all involved and thank them for dedicating their time, support and expertise, it has been invaluable.

Risky Objects Abstract:

This autoethnographic PhD research utilises personal experience of eating disorders as a lens to critique broader culture. Poor body image will affect most Western women and girls; it is part of our everyday being. Western ideals have been used to construct race, sex, and class hierarchies, and continue to influence our cultural discourse. Although ideals shift over time, the white, thin ideal has been unwavering and othering.

Like the body, the home has also become idealised. Although the home can be experienced as a place of comfort and familiarity, struggles can hide in plain sight. !rough object illustrations mimicking domestic ware, I invite the audience to sit at my childhood dinner table.

Illustration must communicate with an audience and through my object illustrations I aim to develop a methodology to engage groups of women in critical dialogue on body image. However, this topic risks causing distress, meaning a balance between sensitivity and honest testimony is needed. By illustrating open and fragmented narratives I try to create objects that engage audiences while avoiding potential retraumatisation. Each group provides feedback to inform the following round of this reflective and iterative practice. This article describes the first group engagement where I consider how emotion and affect can generate affective resonance.

The full article can be found here: Risky Objects: Illustrating Situated Body Image Experience

The journal can be found here: Issue No. 2/2023 COMPROMISED VISIONS: “Lately, she’s been seeing things differently”

Back to work! Starting with the 2023 International Symposium of Autoethnography and Narrative.

And just like that (*insert wind emoji and ‘poof’ sound), the holidays are over and it’s right back to work. Must admit that I am still absolutely shattered, post flu and post neurodivergent Christmas overstimulation. But the list of things to do goes on, and this week starts with the 2023 International Symposium of Autoethnography and Narrative, followed by finishing the first draft of an article with a looming deadline, and checking submission dates for the International Association of Illustration Academics 2023 exhibition. To be fair, the pressure of deadlines help when you’re ADHD and they’re coming thick and fast!

Private View at Reflexo

I really appreciate Julianna sending over some photos from the private view of Reflexo at Echos Studios, São Paulo, Brazil. Very much looking forward to virtually meeting everyone and hearing the feedback on Sunday 6th November.

Abstract accepted! - International Symposium of Autoethnography and Narrative '23

I’m over the moon to have received an email today informing me that my abstract has been accepted to be a delegate at the International Symposuim on Autoethnography and Narrive 2023.

My presentation now needs to be ready for recording in November. I am still calling this a presentation rather than a paper as I am considering how to privilege the practice through my delivery. I am creating object illustrations to consider the difference between close engagement with an object compared to audiences engaging with an illustration on the page or screen. ‘Presenting’ my work online transfers the 3D to 2D… very interesting problems to work through.

I really appreciate having the opportunity to present illustration practice as autoethnography to those outside of the discipline.

International Symposium on Autoethnography and Narrative '23